Willie Watson

Globe Hall Presents

Willie Watson

Katie Pruitt, BBQ Opens at 5pm!

Monday, 4/30

Doors: 7:00 pm / Show: 8:00 pm

$18 - $22

This event is 16 and over

All sales are final. Review your order carefully, there are no refunds for any reason. Tickets are non-transferable. No tickets are mailed to you, your name will be on the will call list night of show. Night of show (1) bring a valid government issued ID and (2) print your confirmation e-mail and bring with you night of show. Come hungry! Check out Globe Hall’s award winning BBQ!

Willie Watson
Willie Watson
For nearly two decades, Willie Watson has made modern folk music rooted in older traditions. He’s a folksinger in the classic sense: a singer, storyteller, and traveller, with a catalog of songs that bridge the gap between the past and present. On Folksinger Vol. 2, he acts as a modern interpreter of older songs, passing along his own version of the music that came long before him.

Southern gospel. Railroad songs. Delta blues. Irish fiddle tunes. Appalachian music. Folksinger Vol. 2 makes room for it all. Produced by David Rawlings, the album carries on a rich tradition in folk music: the sharing and swapping of old songs. Long ago, the 11 compositions that appear on Folksinger Vol. 2 were popularized by artists like Leadbelly, Reverend Gary Davis, Furry Lewis, and Bascom Lamar Lunsford. The songs don’t actually belong to those artists, though. They don’t belong to anyone. Instead, they’re part of the folk canon, passed from generation to generation by singers like Watson.

And what a singer he is. With a quick vibrato and rich range, he breathes new life into classic songs like “Samson and Delilah,” one of several songs featuring harmonies from gospel quartet the Fairfield Four. He’s a balladeer on “Gallows Pole,” whose melancholy melodies are echoed by the slow swells of a four-piece woodwind ensemble, and a bluesman on “When My Baby Left Me,” accompanying himself with sparse bursts of slide guitar. “Dry Bones” finds him crooning and hollering over a bouncing banjo, while “Take This Hammer” closes the album on a penitent note, with Watson singing to the heavens alongside a congregation of Sunday morning soul singers.

Arriving three years after Folksinger Vol. 1 — his first release since parting ways with the Old Crow Medicine Show, whose platinum-selling music helped jumpstart the 21st century folk revival — Vol. 2 expands Watson’s sound while consolidating his strengths. Several singers and sidemen make appearances here, including Gillian Welch, the Punch Brothers’ Paul Kowert, and Old Crow bandmate Morgan Jahnig. Even so, Watson has never sounded more commanding, more confident, more connected to the music that inspires him.

“I’m not trying to prove any point here,” he insists, “and I’m not trying to be a purist. There’s so much beauty in this old music, and it affects me on a deep level. It moves me and inspires me. I heard Leadbelly singing with the Golden Gate Quartet and it sounded fantastic, and I thought, ‘I want to do that.’ I heard the Grateful Dead doing their version of ‘On the Road Again,’ and it sounded like a dance party in 1926, and I wanted to do that, too. That’s the whole reason I ever played music in the first place — because it looked and sounded like it was going to be a lot of fun.”

Nodding to the past without resurrecting it, Willie Watson turns Folksinger Vol. 2 into something much more than an interpretation of older songs. The album carries on the spirit of a time nearly forgotten. It taps into the rich core of roots music. It furthers the legacy of American folk. And perhaps most importantly, it shows the full range of Willie Watson’s artistry, matching his instrumental and vocal chops with a strong appreciation for the songs that have shaped not only a genre, but an entire country.
Katie Pruitt
Katie Pruitt
Katie Pruitt is the girl next door with a guitar in her lap writing songs in her bedroom until sunrise. Pruitt is a has-to-live-it-to-write-it kind of songwriter that achieves the kind of lyrical simplicity that even the best songwriters strive for. Her unique guitar picking accompanied by her very personal lyrics and truth-questioning spirit is a throwback to the classical sounds of Joni Mitchell, John Prine, and Brandi Carlile.

Pruitt is a Nashville transplant, originally hailing from a small suburb outside of Athens, Georgia. Splitting her time between writing songs and waiting tables, her hard work paid off after she landed a Tuesday night residency at The Basement in Nashville. One of those nights in 2016, she was heard by the right people and signed a publishing deal with Round Hill Music Publishing. Not long after that she was offered a booking deal with Paradigm Talent Agency and hasn’t had time to wait tables since.

Pruitt has been praised as one of the most talented songwriters and best kept secret in Nashville today. In 2016 she humbly accepted the first annual BMI Songwriting Scholarship for her original song, Ordinary. This recognition then lead her to be the honored recipient of the Buddy Holly Prize in 2017, a prize previously awarded to the talents of Emily King and Ben Howard through the Songwriter Hall of Fame. Pruitt also made her way on the bill for the 2017 Pilgrimage festival alongside headliners, Justin Timberlake and Eddie Vedder.

2018 has no plans for slowing Pruitt down. The successful release of her OurVinyl live session on YouTube has reached over 50K people in a short few months. Catch her playing Americana Festival in Nashville this September as well as on the road playing a show in your city.
BBQ Opens at 5pm!
Venue Information:
Globe Hall
4483 Logan Street
Denver, CO, 80216
http://www.globehall.com/