Globe Hall Presents:
Doors: 7:00 pm / Show: 8:00 pmGlobe Hall
$15 - $18
This event is 16 and over
All sales are final. Review your order carefully, there are no refunds for any reason. Tickets are non-transferable. No tickets are mailed to you, your name will be on the will call list night of show. Night of show (1) bring a valid government issued ID and (2) print your confirmation e-mail and bring with you night of show. Come hungry! Check out Globe Hall‚Äôs award winning BBQ!http://www.globehall.com/event/1834420/
Shaun Fleming -- returns with Internet Arms, a swan dive into a lush, digital glam wonderland.
Fleming‚Äôs path to stardom can be traced all the way back to his childhood days as a Disney
voice actor, but for the past six years he‚Äôs explored the depths of his identity and channeled it
outward in the form of the enigmatic and exuberant Diane Coffee.
In 2018, after performing as King Herod in the Lyric Opera‚Äôs critically-acclaimed run of Jesus
Christ Superstar , Fleming emerged from the recording studio with Internet Arms. Born from the
fear and uncertainty of a future in which humankind is both dependent on and poisoned by
technology, the album finds Diane Coffee trapped in a digital world, enslaved by AI.
‚ÄúDid you know the technology exists to take a photo of anyone you know and use it to create‚Ä¶
well, let‚Äôs call it, ‚Äėadult entertainment‚Äô?‚ÄĚ Fleming asks. ‚ÄúAnd did you know that an estimated 70%
of all online activity isn‚Äôt human? Where does that leave us? We don‚Äôt interact with each other
anymore because we‚Äôre always online. Not to mention we can manifest any version of ourselves
at the push of a button when we‚Äôre logged in, so when we encounter humans they‚Äôre not even
Facing this existential crisis, Fleming‚Äôs anxieties became his muse as his writing explored the
scenarios of this dystopian future: ‚ÄúIt‚Äôs a personal study on how I feel about living with constant
blurred lines of the self and the projected self.‚ÄĚ This notion shaped the sound of Internet Arms
as well, compelling Fleming to gravitate toward synths, electronic drums, and other futuristic
sounds from the past and present to create his version of a digital landscape, as well as a digital
version of himself.
‚ÄúThe songs are what have always dictated the sound. Working in the realm of clean, modern
pop production has been an exhilarating change of pace. Diane Coffee now sounds like a
digitization of its former self because I also feel trapped in this digital world,‚ÄĚ Fleming explains.
This newly cybernated Diane Coffee is masterfully unveiled on album standouts ‚ÄúNot Ready to
Go‚ÄĚ and ‚ÄúLike a Child Does,‚ÄĚ with both songs serving as vulnerable reflections on power and
abuse. But whereas the former positions its chorus to soar high above a cityscape constructed
of conduits and transistors, the driving pulse of the latter propels forward like a high-speed race
through the surface streets of said city. Elsewhere, Diane Coffee‚Äôs sonic boundaries are pushed
the furthest on ‚ÄúLights On,‚ÄĚ a massive contemporary pop song that impressively showcases
Fleming‚Äôs extraordinary vocal range.
As a whole, Internet Arms marks a significant new phase for Fleming, a testimony to the idea
that Diane Coffee will endure as a fluid form of expression that continues to defy expectations of
sound and genre.
4483 Logan Street
Denver, CO, 80216