Channel 93.3's Punk Tacos and Twist & Shout Present
Supersuckers **MOVED TO LARIMER LOUNGE**
The Hangmen, Reno Divorce, BBQ Opens at 5pm!
Doors: 8:00 pm / Show: 9:00 pmGlobe Hall
$20.00 - $25.00
This event is 16 and over
The 30th anniversary “The Big Show” tour! Featuring a country set plus Smoke of Hell and La Mano Cornuda in their entirety AND more!
All sales are final. Review your order carefully, there are no refunds for any reason. Tickets are non-transferable. No tickets are mailed to you, your name will be on the will call list night of show. Night of show (1) bring a valid government issued ID and (2) print your confirmation e-mail and bring with you night of show. Come hungry! Check out Globe Hall’s award winning BBQ!http://www.globehall.com/event/1776724/
And the next time you see the ‘Supersuckers’ name, whether it’s in the record store, online somewhere, or on the marquee at your local rock club, know that there’s some quality, honest, ass-kicking, hard working individuals behind it all trying to make your life a little better through the “Evil Powers Of Rock-n-Roll” (and the occasional detour into the country music, of course) and we’d love nothing better than to have you there with us as! Just remember to wear clean underwear, ‘cuz we’re gonna rock the pants right off of you!”
– Eddie Spaghetti, The Supersuckers
The Hangmen have always been a unique group that can’t be easily pigeonholed, and East of Western captures all of their different sides. When they first got together in L.A. in 1987, the Hangmen were fiery and hard rocking enough to play with metal bands, but they also had a stubbornly rootsy and punk rock attitude that made them fit in just as easily with such legendary underground icons as the Gun Club and Tex & the Horseheads. Their trademark dual-guitar attack combines the classic-rock drive of the Rolling Stones and AC/DC with the hard-charging swagger of Johnny Thunders’ Heartbreakers and the sinister allure of the Cramps.
But what really makes the Hangmen stand out is Small’s gift for writing anthemic choruses with head- banging hooks, which he delivers with his distinctly feral and instantly recognizable snarl. On East of Western, he sneers his way through boldly hard-rocking romantic pleas (“I’m Your Man”), Western-tinged barn-burners (“Railroad Man”) and insomniac tales of junkie self-destruction and ultimate redemption (“Drink Smoke”). With its big, fat and leering monster riff, “Big Red Rooster” is a fitting homage to the late Lux Interior of the Cramps, who Small lovingly describes as a “teenage bastard of the chosen one.” Drummer Dino Guerrero (who has played in Jack Grisham’s Tender Fury, as well as the supergroup Charley Horse with members of Nashville Pussy and Throw Rag) and longtime Hangmen bassist Angelique “Eek” Congleton (who also fronts the band Swamplands) give “Big Red Rooster” a properly menacing and scarily seductive groove.
Despite its title, “Homesick Blues” is more of a flat-out punk rocker than a typical blues song, as new Hangmen lead guitarist Ron Heathman (ex-Supersuckers) twists up a Godfathers-style lick. “This is the town of the cold blooded/Long gone, memories faded/Dug up and desecrated,” Small declares on the garage-rocking nugget “Graverobbers,” as guest star Jordan Shapiro conjures wispy trails of pedal-steel adornment. “‘Graverobbers’ is about the media in Hollywood and how everything is for sale and nothing is off limits, dead or alive,” says Small.
“Had a Girl” proves the old adage that the best and most memorable ballads are sung by punk rockers and those who don’t usually sing ballads. “I had a dream, and it was overrated,” Small croons in a world- weary voice. “I had a heart, but it was confiscated.” Acoustic and electric guitars jangle softly together as Bryan rhapsodizes about a mysterious girl who “changes like the weather.”
Over the years, the Hangmen have worked with several notable producers, including Vic Maile (Motorhead, The Inmates, Hawkind), who recorded the Hangmen’s self-titled Capitol Records full-length LP in 1989, which is now a prized collector’s item. (Good luck finding that one on eBay!) Radio Birdman singer Rob Younger helmed the group’s lost second album, which was commissioned by Geffen Records but never released and is now an even greater rarity.
With equal parts Orange County punk, honky tonk country, and a tip-jar full of rockabilly swagger, Reno Divorce strikes a unique chord of their own with their brand of punk rock and roll. The band’s longevity is no accident. Their fans simply won’t allow them to quit and pursue real careers. The fact that they’ve been voted the best punk band in Denver by The Westword Magazine in 2011, 2012, and 2013 can attest to their stalwart status in their home state. A successful Kickstarter campaign and a growing number of their faithful willing to have the band’s name tattooed on their bodies keeps them climbing back into the van for tour after tour. They’ve never been ones to rest on their laurels, though. To the contrary, Reno Divorce has 7 European tours and several US jaunts under their belt, supporting Reverend Horton Heat, The Queers, and US Bombs, among others.
Their well-crafted and skillfully executed songs call to mind Smithereens and Social Distortion, but a more aggressive tone lurks in-between the lines. A good hook is the bread and butter for these guys, and one listen is all it takes to realize you’ve got a band that truly stands out amongst the herd. Ten years strong and having graced some of the most legendary bars and stages around the world, they’ve played with almost all their punk heroes (ALL, Social Distortion, TSOL, Adolescents, Agent Orange, The Queers, X, The Blasters, Motorhead), and shared a tour bus with more contemporary heavy hitters like U.S. Bombs, The Bones, and Street Dogs. They’ve worked with the best behind the scenes, as well. Their latest record, “Lover’s Leap, was recorded by Blasting Room alumnus Felipe Patino and mixed and mastered at the legendary studio by Jason Livermore (Rise Against, ALL, Descendents). Their record before that, “Tears Before Breakfast,” received similar treatment, too. When you delve into their catalog, a strange feeling sets in…there’s no filler…no rehashing or redressing from the album before…no déjà vu or forced delievery. Instead, they find a way to up the ante with every record, growing musically with each outing and subversively injecting their will into whatever 3 chord progression it is you think you’ve heard before. The result is something familiar, yet foreign. And then there’s the lyrics…that’s what sets Reno Divorce apart. This is storytelling at its finest, with uncanny, almost pathological insight. From prince to pauper, sinner to saint, you always feel like you’re riding shotgun with the protagonist or anti-hero as their story unfolds.
With their 7 European tours being handled by M.A.D. Booking, their following continues to grow with each trip and makes their next appearance and return anticipated.
Among the many open air festivals they’ve played, like ‘With Full Force’, ‘Speedfest’, and ‘Rock’n’Ink Festival’, Reno Divorce has shown their fans that they are at home on a massive stage or in a seedy, whiskey-soaked dive. Always captivating live, and wrought with more hooks than a tackle box, Reno Divorce has carved out a reputation as ‘the real nitty-gritty’ and true ‘musician’s band’ that pushes the envelope with every release. Brent Loveday’s deft songwriting and clever storytelling are brought to life by the bands solid and capable musicianship.
(Biography taken from www.renodivorceband.com)
*Grab a sampler Platter and try it all!*
4483 Logan Street
Denver, CO, 80216